Kino - Picture

Kino - Picture

Because of the people involved the main reason anyone is likely to investigate this album is if they are a fan of Arena (John Mitchell), It Bites(John Beck), Marillion (Pete Trewavas) or Porcupine Tree(Chis Maitland). It's true, the guitar work sounds very like Arena, there are lots of poppy, quirky It Bites moments and some parts do sound like Steve Hogarth should be singing them. But, as often happens, the child may inherit some features of its parents, but it also develops its own identity. In this case, Kino lean much more towards Pop than any of the above bands, often sounding more like Joe Jackson or Sting. The songs do have a progressive element though - usually in the solo middle sections. This is most evident in the nine minute opener which sounds a lot like Spocks Beard towards the end, lest we also forget that Trewavas was also in Transatlantic with Spock's Neal Morse. So, it's more Pop than Prog, but that doesn't mean it's rubbish. The songs are well written, catchy and with that elusive property that makes you want to play them again. In then end, like It Bites before them, Kino probably fall squarely between two stools - too prog for a pop band and too pop for prog rock. Time will tell, Kino expect to be around longer than most supergroups.




Track Listings
1. Losers Day Parade
2. Letting Go
3. Telling You
4. Swimming In Women
5. People
6. All You See
7. Perfect Tense
8. Room For Two
9. Holding On
10. Picture


quality 320

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