01 Battalions Of Steel
02 Live To Rock
03 Demon Sweeney Todd
04 The Letter
05 Valley Of The Kings
06 Slow Lane Buses
07 Crime Of Passion
08 Premonition In D Minor
09 Voice
10 Protect Yourselves
11 Hellcat
12 Come Rock Of Ages (The Circle Is Complete)
13 Coming Home [Bottleneck Version]
mp3@320
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Saxon - Into The Labyrinth
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Artist...............: Saxon
Album................: Into The Labyrinth
Genre................: Metal
Source...............: NMR
Year.................: 2009
Ripper...............: NMR
Codec................: FhG
Version..............: MPEG 1 Layer III
Quality..............: Insane, (CBR 320kbps)
Channels.............: Stereo / 44100 hz
Tags.................: ID3 v1.1, ID3 v2.3
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Tracklisting
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1. (00:06:32) Saxon - Batallions Of Steel
2. (00:05:30) Saxon - Live To Rock
3. (00:03:53) Saxon - Demon Sweeny Todd
4. (00:00:42) Saxon - The Letter
5. (00:05:04) Saxon - Valley Of The Kings
6. (00:04:08) Saxon - Slow Lane Blues
7. (00:04:05) Saxon - Crime Of Passion
8. (00:00:40) Saxon - Premonition In D Minor
9. (00:04:35) Saxon - Voice
10. (00:03:56) Saxon - Protect Yourselves
11. (00:03:56) Saxon - Hellcat
12. (00:03:54) Saxon - Come Rock Of Ages (The Circle Is Complete)
13. (00:03:12) Saxon - Coming Home (Bottleneck Version)
Playing Time.........: 00:50:08
Total Size...........: 115.38 MB
NFO generated on.....: 19/11/2008 14:07:22
Into The Labyrinth was recorded at the Twilight Hall in Krefeld, Germany, under the direction of Charlie Bauerfeind. Saxon recorded 13 new songs at Blind Guardian’s studio, starting with their monumental opener, ‘Battalions Of Steel’, through ‘Demon Sweeney Todd’ and ‘Valley Of The Kings’, which both cover historic events, to the final slide guitar blues track, ‘Coming Home’ (fans are already familiar with the electric version of this track from Saxon’s Killing Ground album).
Saxon are currently still working on an additional 14th track, which will be available exclusively as a download on iTunes from the release date. “The new material was written in England and at my house in France,” Byford explains.
“Stylistically, I would describe the album as an even balance between Lionheart and The Inner Sanctum, a mix of powerful, in-your-face rock songs and pure heavy metal tracks. We’re very happy with the production and proud of Into The Labyrinth.”
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